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Half​-​wild

by Davis IL

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    Every digital purchase in release week will receive a free Davis IL "Dusty The Puppet" holographic sticker. To be shipped at end of August :}

    Every digital purchase includes 6 bonus unreleased promo still from the "Poppet" album cover shoot. Guaranteed to raise a giggle!
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  • Full Digital Discography

    Get all 4 Davis IL releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Dawn of the Red (Gothic Tropic Remix), Half-wild, Queenie Pie, and All That's Solid. , and , .

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1.
Well I love the way that you scream After all you’re just a man Well it lurks thru the waste, more mute than the moon’s face The man’s skull still smoking, he yelled “Hey can you hear me” I Can Dig I Can Dig I Can Dig I Can Dig Oh Yeah And this is what I hear- It still beats, it still beats, it stills beats Deep in ground… Dawn of the Red (still beats) Will you listen to the serpents, such music they make In my garden, the whips oh the whips bring delight Well it put on the man’s face And felt its three hearts race Like a leper in a funhouse The thing shrieked unholy I Can Dig I Can Dig I Can Dig I Can Dig Oh Yeah And this is what I hear- It still beats, it still beats, it stills beats Deep in ground Dawn of the Red (still beats)
2.
Whatcha gonna tell me now All I say is brother how Are you going to say it's bad Guess you can't see that I’m glad Were you going to send me there Doubt you'll ever find me there And even though I lost my mind And everywhere I get a stare Can you really say you tried All I say is brother why Will you say when did it go Guess I couldn't see that it showed Would you say to me I'm wrong Doubt you'll ever find me wrong And even though I lost my mind And everywhere I get a stare O now brother why
3.
Queenie Pie 04:30
Stop me if you’ve heard this one before, cause the melody is bringing me down Keep yourself from sobbing drunken tears, catch a feeling that you’re comin around Too late for money but they’re shaking their bills, nothing comes on easy like your white heels You take pleasure in pulling their trigger but now’s my time where I say Funny your reasons for dancing that way are the same exact feelings on why I couldn’t stay There’s something to it, you swear it’s your case, it’s the deepest bottom feeling When I look, when I look: into your Stop me if you’ve heard this one before, cause the melody is bringing me down Keep yourself from sobbing drunken tears, catch a feeling that you’re comin around Down on Broadway, the witching hour, one-armed bandits scoop up all your will to power So she takes her face off & goes to Vesuvio, the only real father that she ever I need darkness as much as I need light, she declares upon indulging with all those in the night There’s something in it, she swears it’s her place, it’s the deepest bottom feeling When I look, when I look: into her… When I see you up there on that brass rail, all I can see: a tale that will not fail A nocturnal vision, a denizen of the night, she moves in praise of darkness under the howl of city lights So trip it as you go, girl- on that light fantastic toe, girl. The Gold Room that surrounds you is the only home you did know And there’s something for it, they will try to replace It’s the deepest bottom feeling When we all look, we all look: up to her face Stop me if you’ve heard this one before, cause the melody is bringing me down Keep yourself from sobbing drunken tears, catch a feeling that you’re comin around
4.
West Coast 05:10
Your love, your love, love Down on the West coast, they got a saying "If you're not drinking, then you're not playing" But you've got the music You've got the music in you, don't you? Down on the West coast, I get this feeling like It all could happen, that's why I'm leaving You for the moment, you for the moment Boy Blue, yeah, you You're falling hard, I push away, I'm feeling hot to the touch You say you miss me and I wanna say I miss you so much But something keeps me really quiet, I'm alive, I'm a lush Your love, your love, your love I can see my baby swinging His Parliament's on fire and his hands are up On the balcony and I'm singing Ooh baby, ooh baby, I'm in love I can see my sweet boy swaying He's crazy y cubano como yo, la-la On the balcony and I'm saying Move baby, move baby, I'm in love I'm in love I'm in love I'm in love Down on the West coast, they got their icons Their silver starlets, their Queens of Saigons And you've got the music You've got the music in you, don't you? Down on the West coast, they love their movies Their golden gods and Rock 'n' Roll groupies And you've got the music You've got the music in you, don't you? You push it hard, I pull away, I'm feeling hotter than fire I guess that no one ever really made me feel that much higher Te deseo, cariño, boy, it's you I desire Your love, your love, my love I can see my baby swinging His Parliament's on fire and his hands are up On the balcony and I'm singing Ooh baby, ooh baby, I'm in love I can see my sweet boy swaying He's crazy y cubano como yo, la-la On the balcony and I'm saying Move baby, move baby I'm in love I'm in love I'm in love I'm in love I can see my baby swinging His Parliament's on fire and his hands are up On the balcony and I'm singing Ooh baby, ooh baby, I'm in love I can see my sweet boy swaying He's crazy y cubano como yo, la-la On the balcony and I'm saying Move baby, move baby, I'm in love I'm in love I'm in love I'm in love I'm in love
5.
Said the fate-man to the gate-man, I’m shining thru So there you have it, then you’ll lose it. It’s the things that we do Whatever limits us, we call fate. But only you can do you Where’s the wonder, see it in the slumber. Cause I’m shining thru So there you have it, you can choose it. Overcome we shall do And even limits have their limitations. So I’m shining thru I went dancing by the road and I’ll be damned didn’t feel my soul. I searched for messages from the beyond, in the emanation of Albion. So I entered the door of the tuning-fork tongues and I’ll be damned didn’t see a soul I went searching for a mate and in the end can it be fate
6.
Look at you there with the wind in your hair- are you cool? Truth well told your pose shows signs of sold- are you sure? An eastern shakedown, look out now defenders not found- were you true, are you true? Look at me here found in the footlights no mirror- ain’t that strange Clockless time moans and says the house ain't a home- ain’t it weird So look at you there with the wind in your hair- are you cool? (sure hope you’re cool) 
 I wanna know now I wanna know now Why can't you see me I wanna know now I wanna feel me I wanna feel me Why can’t you show me I wanna feel me

about

Press & Articles for "Half-wild"

It's Psych Baby Magazine: bit.ly/3sop2vr
Interview with Front Row Annie: bit.ly/3iQgACc
POW Magazine: bit.ly/2XzLJld

credits

released August 13, 2021

All Words & Music by Davis I. Lukrich (℗© Postmodern Blues, ASCAP)

Produced by Davis IL. Additional production by David Lipps, Tony Hultkvist & Patrick Weber.

Engineered by David Lipps (Cuts #1,2,6) Tony Hultkvist (Cuts #3,4,5). Cut #2 recorded by Sean Paulson, Cut #4 by Justin King.
Mastered by Mr. Lipps.

——————
Recorded At:
——————
Earthtones Audio, San Francisco
Different Fur Studios, San Francisco
Vinegar Hill Sound, Brooklyn
Ex’pression Studios, Emeryville CA
Secret Studios Rehearsal Space #210, 1st Floor (por vida) Outer Mission, SF

——————
Recording Data:
——————
Davis IL :: vocals, guitars, bass, keyboards, Teisco combo organ
Patrick Weber :: drums, percussion, Roland programming, backing vocals #2,3,5,6
Robert “gibby” Gibboni :: tack piano, swooshing Rhodes, swirling organ, smearing organ, carny organ, clavinet, backing vocals #2-5
Matthew "fish" Fisherkeller :: Moog synth, organ, backing vocals #6
Kazmo Vilmar :: bass (fuzz)


The following personnel sat in hot:

AJ McKinley :: lead guitar on #1
Kendra McKinley :: backing vocals #1
Pete Granquist :: falsetto whoop last verse #3; backing vocals #3,4

Red Beans & Rice Horns (outta San Bruno) on #3,5,6
Barry Gilbrech :: trumpet
Eric Crawford :: trombone
Chris Talbot :: saxophone 

Horn arrangements + Percussion arrangement on #6 by Patrick Weber.


——————
Artwork
——————
Photography, Layout & Art Direction :: Elena Kulikova
Puppet Model :: Dusty Cooder (aka Wavy Davy)
Additional Touch-ups :: Gianna Badiali
Puppet Conjuring :: Sarah Lew
Concept & Design by D-IL

—————————
♡ BLESS YOUS ♡
—————————
Forever & ever grateful to Cazmo and Leah Lukrich for unbridled support + being true life enablers. Robert Lukrich for being my only brother and a lovely one at that. Pat Weber for high school-era, long term music partnership and wise final decisions. David Lipps for his golden ears, audio craft and most of all patience. Tony Hultkvist for being a recording ninja & mixing wizard + producing this thing from 5,000 miles away (literally). JJ Mellon for being the best damn distro agent (friend) an indie songwriter could ask for. Elena Kulikova for her tireless creativity and making my cover idea a double fantasy (love to your cats Neo & Nimby too). Ben Schaaff, Piper Payne, Randy Belcufine, Phillip Broussard for their second pair of earz. Gianna Badiali for extra work and being an artist’s artist. All the young musicians at Bloom School of Music & Dance who will all make classic albums someday. Ian Randolph (look him up) for friendship in times of isolation.


**Dedicated to the memory of Abigail (Abby) and Branko Pudarich **

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Davis IL Los Angeles, California

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